Pedals that stack with the Bad Cat Lynx 50

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Greer Amps Royal Velvet and it comes out closer to clean boost

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into Bad Cat Lynx 50, JHS Angry Charlie is right at home: it's built around Vox-style amps

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Vox Valvenergy Copperhead Drive takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run Boss CE-1 Chorus Ensemble after Bad Cat Lynx 50 in the signal chain, clear of Bad Cat Lynx 50's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Bad Cat Lynx 50's transparent voice out front: TC Electronic Triple Flashback Delay goes in Bad Cat Lynx 50's effects loop so its tight voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Hungry Robot Moby Dick V2 in Bad Cat Lynx 50's effects loop, clear of Bad Cat Lynx 50's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Crazy Tube Circuits Golden Ratio leans toward tight, and that's a real, usable character to pair with

Goes in front of the amp