Pedals that stack with the Bad Cat Cub

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

REVV G2 Green's harmonically rich character and Bad Cat Cub's harmonically rich voice sit in the same lane rather than fighting each other

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Mission Engineering Velocity Overdrive's harmonically rich character and Bad Cat Cub's harmonically rich voice sit in the same lane rather than fighting each other

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's harmonically rich voice suits One Control Purple Humper Overdrive's own harmonically rich character

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Vox Valvenergy Fuel Injector's harmonically rich character and Bad Cat Cub's harmonically rich voice sit in the same lane rather than fighting each other

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Bad Cat Cub brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub's own harmonically rich character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Bad Cat Cub leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Free The Tone FM-1V Fire Mist Overdrive's harmonically rich character and Bad Cat Cub's harmonically rich voice sit in the same lane rather than fighting each other

Goes in front of the amp