Pedals that stack with the Bad Cat Hot Cat
← everything about the Bad Cat Hot Cat
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Dallas Rangemaster Treble Booster
Dallas
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Bad Cat Hot Cat leans into Vox-style amps, precisely the platform Dallas Rangemaster Treble Booster wants
Goes in front of the amp
Greer Amps Royal Velvet
Greer
31% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)
Greer Amps Royal Velvet pushes a high gain tone toward clean boost
Goes in front of the amp
Electro-Harmonix Micro Metal Muff TOP Boost
Electro-Harmonix
29% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)
Bad Cat Hot Cat leans into Vox-style amps, precisely the platform Electro-Harmonix Micro Metal Muff TOP Boost wants
Goes in front of the amp
Audiocade 1974 Colorsound Tremolo Clone
Audiocade
25% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Hot Cat's responsive, British overdrive gives the Tremolo Clone's organic pulse a saturated amp voice to modulate.
Goes in front of the amp
Wampler Cory Wong
Wampler
18% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the Hot Cat's own responsive British clean voice.
Goes in front of the amp
MXR Analog Delay
MXR
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)
Keep Bad Cat Hot Cat's bright voice out front: MXR Analog Delay goes in Bad Cat Hot Cat's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Hungry Robot Moby Dick V2
Hungry Robot
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Keep Hungry Robot Moby Dick V2 in Bad Cat Hot Cat's effects loop, clear of Bad Cat Hot Cat's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop