Pedals that stack with the Bad Cat Ocelot
← everything about the Bad Cat Ocelot
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS MoonShine Overdrive
JHS Pedals
24% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Run JHS MoonShine Overdrive into that high headroom platform and it finally leans toward mid-forward
Goes in front of the amp
Boss DS-2 Turbo Distortion
Boss
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Run Boss DS-2 Turbo Distortion into that high headroom platform and it finally leans toward mid-forward
Goes in front of the amp
J. Rockett The Dude
J Rockett
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
The high headroom tone has headroom to spare — J. Rockett The Dude leans it toward mid-forward to fill it in
Goes in front of the amp
Maestro Orbit
Maestro
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Maestro Orbit after Bad Cat Ocelot in the signal chain, clear of Bad Cat Ocelot's own gain stage
Goes in front of the amp
Universal Audio 1176 Compressor
Universal Audio
14% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (high headroom → compressed)
Universal Audio 1176 Compressor's own compressed character is the real reason this is worth trying
Goes in front of the amp
TC Electronic Alter Ego V2 Vintage Echo
TC Electronic
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Alter Ego V2 Vintage Echo in Bad Cat Ocelot's effects loop, clear of Bad Cat Ocelot's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Fender Hammertone Reverb
Fender
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Bad Cat Ocelot's high gain voice out front: Fender Hammertone Reverb goes in Bad Cat Ocelot's effects loop so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop