Pedals that stack with the Beetronics Overhive

Stack the Klon's midrange bump in front of the Overhive's own transparent gain for two boosts with slightly different character rather than a wall of drive.

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Stacking the Overhive's transparent medium-gain drive with the Screamer's mid-forward boost layers two complementary low-to-medium gain voicings rather than doubling up on the same one.

Into a transparent tone, Beetronics Overhive brings a pull toward medium gain that's missing

Stack the Dept. 10's tube-driven clean boost with the Overhive's own transparent, medium-gain drive and it opens up without losing its classic-rock color.

Stack the AT+'s expressive, TS-voiced treble push with the Overhive's own medium-gain drive for two distinct blues-adjacent textures.

Comes later in the signal chain

Into a transparent tone, Beetronics Overhive brings a pull toward medium gain that's missing

Stack the Golden Boy's transparent JFET boost with the Overhive's own medium-gain drive for a push that stays natural.

Even out your pick attack with the Ego first and the Overhive's medium-gain drive stays consistent note to note.

Comes earlier in the signal chain

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the phaser after the Overhive's transparent medium-gain drive so the sweep colors an already-shaped signal instead of a raw one.

Comes later in the signal chain

The LPB-1's natural, transparent transistor boost pushes the Overhive's medium-gain drive without smearing its color.

Comes later in the signal chain

Beetronics Overhive leans this transparent tone toward medium gain, which it doesn't make on its own

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

The Luminary's clear, experimental octave tracking gives the Overhive's medium-gain drive a harmonic layer instead of just more gain.

Comes earlier in the signal chain

The Overhive's transparent, classic-rock drive feeds the History Lesson's dry, clear delay a well-defined signal to echo, not a muddy one. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Eternity's clear, boutique clean boost gives the Overhive's medium-gain drive extra push without changing its color.

The SUB N UP's clear sub-octave tracking gives the Overhive's medium-gain drive a harmonic layer to color instead of just more gain.

Comes earlier in the signal chain

Stack the Slight Return's touch-sensitive touring drive with the Overhive's own medium-gain overdrive for two distinct transparent textures.

Into a transparent tone, Beetronics Overhive brings a pull toward medium gain that's missing

The Jan Ray's punchy, touch-sensitive medium-gain drive stacks naturally with the Overhive's own transparent push — same gain range, different character.

The RevivalDrive Compact's touch-responsive, valve-like clean platform gives the Overhive's medium-gain drive room to breathe.

The Black Eye's simple, reliable clean boost gives the Overhive's transparent, medium-gain drive a stage-ready push.

Comes earlier in the signal chain

Into a transparent tone, Beetronics Overhive brings a pull toward medium gain that's missing

Beetronics Overhive leans this transparent tone toward medium gain, which it doesn't make on its own

Comes later in the signal chain