Pedals that stack with the Behringer ADI21 V-Tone Acoustic

Boss HM-2 Heavy Metal

Run Boss HM-2 Heavy Metal after it and the warm edge settles into something more bright

Electro-Harmonix Triangle Big Muff Pi

Electro-Harmonix Triangle Big Muff Pi's own sustaining character is the real reason this is worth trying

Catalinbread Sabbra Traditional Ink

Keep Catalinbread Sabbra Traditional Ink's crunchy voice out front: Behringer ADI21 V-Tone Acoustic goes after Catalinbread Sabbra Traditional Ink in the signal chain so its transparent voice doesn't muddy it

Walrus Audio Fable

Keep Walrus Audio Fable after Behringer ADI21 V-Tone Acoustic in the signal chain, clear of Behringer ADI21 V-Tone Acoustic's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Suhr Dark Discovery Analog Delay

Keep Behringer ADI21 V-Tone Acoustic's transparent voice out front: Suhr Dark Discovery Analog Delay goes after Behringer ADI21 V-Tone Acoustic in the signal chain so its dark voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

JHS 3 Series Distortion

Keep Behringer ADI21 V-Tone Acoustic after JHS 3 Series Distortion in the signal chain, clear of JHS 3 Series Distortion's own gain stage