The Behringer UM300 Heavy Metal Distortion is a Behringer distortion pedal, currently around $28.90. Close alternatives include the Behringer HM300 and the Joyo Maximum Overdrive. It pairs well with the Roland Cube Street and the Laney RB3 Richter Bass Amp.
Behringer UM300 Heavy Metal Distortion
Behringer · pedal
The Behringer UM300 is a high-gain distortion pedal based on the Boss MT-2 Metal Zone circuit, one of the most widely used high-gain guitar pedals in rock and metal history. The MT-2 topology uses a parametric-style dual-band EQ section that provides extreme tonal shaping, from aggressive mid scoop to pronounced mid presence. The Ultra Metal voicing reaches into extreme metal distortion territory with long, compressed sustain. Suited for metal rhythm guitar, hard rock, and heavy alternative styles. The UM300 reproduces the MT-2 circuit character at reduced cost, sharing the high-gain versatility that made the Metal Zone a studio staple across multiple decades.
What stands out
“Extreme high-gain distortion with a powerful dual-band EQ section, based on the Boss MT-2 Metal Zone and capable of covering everything from scooped metal rhythm crunch to nasal mid-heavy lead tones”
— from the community notes
“Suited for metal rhythm guitar, hard rock, and heavy alternative styles”
— from the listing
“The MT-2 topology uses a parametric-style dual-band EQ section that provides extreme tonal shaping, from aggressive mid scoop to pronounced mid presence”
— from the listing
“The base distortion character trends toward fizzy and harsh at the gain extremes even with careful EQ management”
— from the community notes
“The Ultra Metal voicing reaches into extreme metal distortion territory with long, compressed sustain”
— from the listing
- metal
- distortion
- high gain
- hard rock
- mid
- rhythm
- aggressive
- fizzy
Price updated Oct 25, 2026
Genres the Behringer UM300 Heavy Metal Distortion is commonly used in
- Hard Rock
- Alternative Rock
- Rock
- Metal
- Heavy Metal
cited
Inferred from shared tonal signals, not a stated genre tag. - Death Metal
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Behringer UM300 Heavy Metal Distortion
Roland Cube Street
Roland
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Comes later in the signal chain
Laney RB3 Richter Bass Amp
Laney
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Comes later in the signal chain
Ampeg V-4
Ampeg
tonal matchComes later in the signal chain
Stack Ampeg V-4 on top and a scooped tone tightens toward mid-forward
Ampeg BA 108
Ampeg
tonal matchComes later in the signal chain
Ampeg BA 108 pushes a scooped tone toward mid-forward
Ceriatone HRM 50
Ceriatone
tonal matchComes later in the signal chain
Feed a scooped signal into Ceriatone HRM 50 and it comes out closer to mid-forward
Ceriatone Overtone Special HRM Bluesmaster 50
Ceriatone
tonal matchComes later in the signal chain
Stack Ceriatone Overtone Special HRM Bluesmaster 50 on top and a scooped tone tightens toward mid-forward
Gallien-Krueger Fusion 210
Gallien Krueger
tonal matchComes later in the signal chain
Gallien-Krueger Fusion 210 takes that scooped character and pushes it toward mid-forward
Roland Cube Street EX
Roland
tonal matchComes later in the signal chain
Roland Cube Street EX pushes a scooped tone toward mid-forward
Pedals that stack with the Behringer UM300 Heavy Metal Distortion
Cusack Music Screamer
Cusack Music
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Cusack Music Screamer takes that scooped character and pushes it toward mid-forward
Comes earlier in the signal chain
Electro-Harmonix Green Russian Big Muff
Electro-Harmonix
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Electro-Harmonix Green Russian Big Muff on top and a scooped tone tightens toward mid-forward
Comes later in the signal chain
MXR Dyna Comp Mini
MXR
20% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
MXR Dyna Comp Mini's mid-forward voice goes after Behringer UM300 Heavy Metal Distortion in the signal chain — it's not there to compete with Behringer UM300 Heavy Metal Distortion's own high gain character
Comes later in the signal chain
Xotic SP Compressor
Xotic
14% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Xotic SP Compressor leans toward smooth, and that's a real, usable character to pair with
Comes earlier in the signal chain
MXR Analog Delay
MXR
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put MXR Analog Delay after Behringer UM300 Heavy Metal Distortion in the signal chain, clear of Behringer UM300 Heavy Metal Distortion's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Boss RE-202 Space Echo
Boss
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Behringer UM300 Heavy Metal Distortion's high gain voice out front: Boss RE-202 Space Echo goes after Behringer UM300 Heavy Metal Distortion in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR CAE Wah
MXR
tonal matchComes earlier in the signal chain
MXR CAE Wah goes in front of Behringer UM300 Heavy Metal Distortion — a wah tracks picking dynamics best on the raw signal
Vox WAH-V845
Vox
tonal matchComes earlier in the signal chain
Vox WAH-V845 belongs in front of Behringer UM300 Heavy Metal Distortion, since a wah tracks picking dynamics best on the raw signal
Boutique & premium upgrades
Fender Hammertone Metal
Fender
57% similarityShared character: high gain settings, noise, metal
Wampler Dracarys
Wampler
56% similarityShared character: high gain settings, noise, metal
TC Electronic Eyemaster
TC Electronic
55% similarityShared character: metal, hard rock, distortion
Friedman BE-OD
Friedman
54% similarityShared character: high gain settings, metal, presence
MXR Fullbore Metal
MXR
54% similarityShared character: high gain settings, hard rock, noise
Sonicake MiniLane Shark Classic Crunch Distortion
Sonicake
54% similarityShared character: metal, hard rock, crunch
Similar charactersee all similar tone character →
Behringer HM300
Behringer
60% similarityShared character: high gain settings, noise, hard rock
Joyo Maximum Overdrive
Joyo
54% similarityShared character: studio, noise, middle
Joyo Uzi Distortion
Joyo
51% similarityShared character: high gain settings, noise, metal
Joyo British metal
Joyo
95% similaritysimilar tone character
NuX Brownie
Nux
95% similaritysimilar tone character
Caline CP-15
Caline
95% similaritysimilar tone character
See all alternatives to the Behringer UM300 Heavy Metal Distortion (cheaper + boutique) →
Questions people ask
What are good alternatives to the Behringer UM300 Heavy Metal Distortion?+
The closest matches in character are the Behringer HM300, the Joyo Maximum Overdrive, the Joyo Uzi Distortion. Boutique upgrades: Fender Hammertone Metal, Wampler Dracarys, TC Electronic Eyemaster.
What pairs well with the Behringer UM300 Heavy Metal Distortion?+
Strong matches from rig and tone-complementarity evidence: Roland Cube Street, Laney RB3 Richter Bass Amp, Ampeg V-4 — Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward.
How much does the Behringer UM300 Heavy Metal Distortion cost?+
Around $28.90 (live listing price, updated Oct 25, 2026).