Pedals that stack with the Blackstar 1RH MK III 2-Channel 1-Watt

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Electro-Harmonix Glove takes that crunchy character and pushes it toward clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Feed a crunchy signal into Greer Southland and it comes out closer to clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Carl Martin Hot Drive'n Boost MK3 pushes a crunchy tone toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar 1RH MK III 2-Channel 1-Watt's transparent voice out front: One Control Persian Green Screamer goes after Blackstar 1RH MK III 2-Channel 1-Watt in the signal chain so its mid-forward voice doesn't muddy it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Blackstar 1RH MK III 2-Channel 1-Watt brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

MXR Analog Delay's warm voice goes in Blackstar 1RH MK III 2-Channel 1-Watt's effects loop — it's not there to compete with Blackstar 1RH MK III 2-Channel 1-Watt's own transparent character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Run Boss DD-7 Digital Delay in Blackstar 1RH MK III 2-Channel 1-Watt's effects loop, clear of Blackstar 1RH MK III 2-Channel 1-Watt's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop