Pedals that stack with the Blackstar HT Stage 100 Head MkII

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Friedman BE-OD answers back bright

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Browne Amplification Carbon answers back bright

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

The King of Tone's transparent boost stacks with the HT Stage 100 MkII's own clear crunch for a fuller push.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Origin Effects MAGMA57 Amp Vibrato & Drive is voiced for Marshall-style amps — Blackstar HT Stage 100 Head MkII gives it exactly that

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Blackstar HT Stage 100 Head MkII leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

Blackstar HT Stage 100 Head MkII leans into Marshall-style amps, precisely the platform Catalinbread Dirty Little Secret Deluxe wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in Blackstar HT Stage 100 Head MkII's effects loop, clear of Blackstar HT Stage 100 Head MkII's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop