Pedals that stack with the Blackstar St. James 100

Electro-Harmonix Deluxe Electric Mistress

The St. James' versatile channels give the Electric Mistress' shimmering, subtle flange a bright amp voice to swirl through.

MXR Dyna Comp

The St. James' clean channel gives the Dyna Comp's squashed sustain a transparent platform to be heard clearly on.

Boss OD-1 Overdrive

Into the St. James' versatile, gigging-ready clean channel, the OD-1's transparent, asymmetrical clipping has real headroom to open up.

Friedman BE-OD

The BE-OD's tight, modern hard-rock gain pushes the St. James' versatile, gigging-ready headroom into much heavier territory.

Colorsound Overdriver

Push the St. James' versatile, gigging-ready headroom with the Overdriver's transparent treble boost and it opens up without choking.

Boss DS-2 Turbo Distortion

The St. James' clean headroom gives the DS-2's biting midrange distortion room to be smooth instead of harsh at gig volume.

Keeley Red Dirt Overdrive

The St. James' versatile, gigging-ready headroom gives the Red Dirt's thick, articulate midrange drive plenty of room to open up.

Marshall Guv'nor

Push the St. James' round clean channel with the Guv'nor's thick, vocal crunch and the two stack into a bigger, more saturated drive.

Free The Tone PA-1QG 10 Band Analog EQ

The St. James' versatile, gigging-ready headroom gives the PA-1QG's precise, upper-mid-focused EQ a defined amp voice to shape.

Pigtronix Philosopher's Tone Micro

The St. James' clean headroom lets the Philosopher's Tone's transparent sustain and grit come through instead of getting swallowed by amp gain.

Boss GE-7 Equalizer

Both lean toward clean boost and high gain respectively — close enough in character that they complement instead of clashing

Walrus Audio Ages Five-State Overdrive

Into a low gain tone, Blackstar St. James 100 brings the high gain it's missing

Dirty Haggard Audio Mid-Band

Put Blackstar St. James 100 in front and the mid-forward tone leans further toward high gain

Fortin Amplification Grind

Run Blackstar St. James 100 into that transparent platform and it finally gets some high gain

SB|LB Pedals Freq Boost

Run mid-forward into Blackstar St. James 100 for more high gain on top

Bondi Effects Sick As Overdrive

Blackstar St. James 100's high gain fills in what this transparent tone doesn't make on its own

EarthQuaker Devices Gary V1 Fuzz

Run mid-forward into Blackstar St. James 100 for more high gain on top

Vox V847A Wah

The transparent tone has headroom to spare — Blackstar St. James 100 gives it high gain to fill it with

Xotic Effects XW-1 Wah

Run mid-forward into Blackstar St. James 100 for more high gain on top

Outlaw Effects Wrangler

Blackstar St. James 100's high gain fills in what this transparent tone doesn't make on its own

Boss DS-1W Waza Craft Distortion

Blackstar St. James 100 layers high gain onto an already mid-forward signal

Strymon Sunset Dual Overdrive

Into a transparent tone, Blackstar St. James 100 brings the high gain it's missing

Xotic EP-Pro

Run mid-forward into Blackstar St. James 100 for more high gain on top

EarthQuaker Devices Westwood

Run Blackstar St. James 100 into that transparent platform and it finally gets some high gain