Pedals that stack with the Blackstar St. James 50 6L6 Head
← everything about the Blackstar St. James 50 6L6 Head
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Tone City Model B Distortion TC-T31
Tone City
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Tone City Model B Distortion TC-T31 and it comes out closer to mid-forward
Goes in front of the amp
Catalinbread Formula 5F6
Catalinbread
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Catalinbread Formula 5F6 takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Boss DS-2 Turbo Distortion
Boss
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Boss DS-2 Turbo Distortion on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
Maestro Orbit
Maestro
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Maestro Orbit after Blackstar St. James 50 6L6 Head in the signal chain, clear of Blackstar St. James 50 6L6 Head's own gain stage
Goes in front of the amp
Demeter Compulator
Demeter
10% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Demeter Compulator's own smooth character is the real reason this is worth trying
Goes in front of the amp
MXR Analog Delay
MXR
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Analog Delay in Blackstar St. James 50 6L6 Head's effects loop, clear of Blackstar St. James 50 6L6 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Death By Audio Reverberation Machine
Death By Audio
7% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Death By Audio Reverberation Machine in Blackstar St. James 50 6L6 Head's effects loop, clear of Blackstar St. James 50 6L6 Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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