Pedals that stack with the Bludotone Custom Amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run Ibanez TS10 Tube Screamer Classic into that transparent platform and it finally leans toward mid-forward

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Feed a high gain signal into Shin's Music Dumbloid and it comes out closer to tight

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Both lean toward dynamic and compressed respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Julia after Bludotone Custom Amp in the signal chain, clear of Bludotone Custom Amp's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Bludotone Custom Amp's effects loop, clear of Bludotone Custom Amp's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-3 Digital Delay in Bludotone Custom Amp's effects loop, clear of Bludotone Custom Amp's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop