Pedals that stack with the BluGuitar Amp1

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Dallas Rangemaster Treble Booster's bright balances out the warm tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Friedman BE-OD leans bright right where the warm tone needs it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Univox Super-Fuzz leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What BBE VariComp brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

BluGuitar Amp1 leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Boss CE-1 Chorus Ensemble after BluGuitar Amp1 in the signal chain, clear of BluGuitar Amp1's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in BluGuitar Amp1's effects loop, clear of BluGuitar Amp1's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop