Pedals that stack with the Boss Cube Street MKII

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Beetronics Swarm brings a pull toward fuzzy that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Into a transparent tone, Black Arts Toneworks LSTR Fuzz brings a pull toward fuzzy that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (thin → full)

Univox Super-Fuzz leans full right where the thin tone needs it

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Pigtronix Philosopher King leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Mu-Tron Bi-Phase after Boss Cube Street MKII in the signal chain, clear of Boss Cube Street MKII's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dunlop MXR M299 Carbon Copy Mini's own voicing points at a clean amp's front end, and Boss Cube Street MKII delivers it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss Cube Street MKII's full voice out front: Mr. Black Bloodmoon goes in Boss Cube Street MKII's effects loop so its dark voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop