Amps that pair well with the Boss DD-2 Digital Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans toward aggressive, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-2 Digital Delay in Roland Cube Street's effects loop, clear of Roland Cube Street's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Orange Crush Bass 50's effects loop, clear of Orange Crush Bass 50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Blackstar TV-10 BH's effects loop, clear of Blackstar TV-10 BH's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Roland Cube Street EX's effects loop, clear of Roland Cube Street EX's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in EBS Magni 502 2x10 bass combo's effects loop, clear of EBS Magni 502 2x10 bass combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Phil Jones BG-400 Suitcase Compact Bass Combo's effects loop, clear of Phil Jones BG-400 Suitcase Compact Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Phil Jones BP-800 Bass Pulse 800W Head's effects loop, clear of Phil Jones BP-800 Bass Pulse 800W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Supro 1697R Galaxy Head's effects loop, clear of Supro 1697R Galaxy Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-2 Digital Delay in Gallien-Krueger GK Legacy 4x10 Bass Combo Amp's effects loop, clear of Gallien-Krueger GK Legacy 4x10 Bass Combo Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Supro Saturn Reverb 1964 Reissue's effects loop, clear of Supro Saturn Reverb 1964 Reissue's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Gallien-Krueger MB212-II's effects loop, clear of Gallien-Krueger MB212-II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Phil Jones BG-800 Roadcase 750W 12x5 Bass Combo's effects loop, clear of Phil Jones BG-800 Roadcase 750W 12x5 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Gallien-Krueger MB-212 II Bass Combo 500 watts's effects loop, clear of Gallien-Krueger MB-212 II Bass Combo 500 watts's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Phil Jones BG-450 Compact Plus 300W 4x5 Bass Combo's effects loop, clear of Phil Jones BG-450 Compact Plus 300W 4x5 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo's effects loop, clear of Phil Jones BE-17 Bass Engine 70W 1x7 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-2 Digital Delay in Phil Jones X4C NanoBass 35W 1x4 Combo's effects loop, clear of Phil Jones X4C NanoBass 35W 1x4 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Phil Jones BG-75 Double Four Bass Combo's effects loop, clear of Phil Jones BG-75 Double Four Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-2 Digital Delay in Phil Jones BG-80 Double Four Plus 90W Bass Combo's effects loop, clear of Phil Jones BG-80 Double Four Plus 90W Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo's effects loop, clear of Phil Jones BG-110 Bass Cub II 110W 2x5 Bass Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-2 Digital Delay in Blackstar 1RH MK 3's effects loop, clear of Blackstar 1RH MK 3's own gain stage

Comes earlier in the signal chain