Amps that pair well with the Boss DD-200 Digital Delay

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, Revv Generator 100R MkIII 3-Channel Head answers back smooth

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

The Dumble's liquid, touch-sensitive breakup gives the DD-200's wide delay modes a real amp voice to trail into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Put Boss DD-200 Digital Delay in Blackstar St. James 100's effects loop, clear of Blackstar St. James 100's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Vox MV50-CE Rock's effects loop, clear of Vox MV50-CE Rock's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The DD-200's wide range of delay modes belongs in the Vibrolux's loop, clear of the amp's own vintage breakup.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Orange Rockerverb 50 MkIII NEO 50W 2x12 Combo's effects loop, clear of Orange Rockerverb 50 MkIII NEO 50W 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss DD-200 Digital Delay's shimmer voice goes in Orange Rockerverb 50 MkIII 50W 2x12 Combo's effects loop — it's not there to compete with Orange Rockerverb 50 MkIII 50W 2x12 Combo's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ampeg SFT Ampeg Inspired Overdrive's warm voice out front: Boss DD-200 Digital Delay goes in Ampeg SFT Ampeg Inspired Overdrive's effects loop so its shimmer voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in BluGuitar Amp1's effects loop, clear of BluGuitar Amp1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Put Boss DD-200 Digital Delay in Blackstar HT Club 40 MkIII's effects loop, clear of Blackstar HT Club 40 MkIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss DD-200 Digital Delay's shimmer voice goes in Orange Matamp's effects loop — it's not there to compete with Orange Matamp's own sustaining character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Laney UK TI100-LTD Limited Edition Tony Iommi's effects loop, clear of Laney UK TI100-LTD Limited Edition Tony Iommi's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Victory Amplifiers V100's effects loop, clear of Victory Amplifiers V100's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-200 Digital Delay in Friedman Jerry Cantrell Signature 2 Channel 20W's effects loop, clear of Friedman Jerry Cantrell Signature 2 Channel 20W's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Blackstar Series One 45's effects loop, clear of Blackstar Series One 45's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in Victory Amps V10 The Baron's effects loop, clear of Victory Amps V10 The Baron's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in Blackstar HT Stage 100 Head MkII's effects loop, clear of Blackstar HT Stage 100 Head MkII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-200 Digital Delay in Ampeg V-4's effects loop, clear of Ampeg V-4's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Keep Boss DD-200 Digital Delay in Laney LV300T 120W 2x12 Combo's effects loop, clear of Laney LV300T 120W 2x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss DD-200 Digital Delay in Ampeg Rocket Bass 210's effects loop, clear of Ampeg Rocket Bass 210's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-200 Digital Delay in Blackstar CV30's effects loop, clear of Blackstar CV30's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fuchs ODS II Custom 25/50 Combo's warm voice out front: Boss DD-200 Digital Delay goes in Fuchs ODS II Custom 25/50 Combo's effects loop so its shimmer voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss DD-200 Digital Delay's shimmer voice goes in Gallien-Krueger GK Fusion 112 Bass Combo's effects loop — it's not there to compete with Gallien-Krueger GK Fusion 112 Bass Combo's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ampeg Venture V7 700-Watt Bass's warm voice out front: Boss DD-200 Digital Delay goes in Ampeg Venture V7 700-Watt Bass's effects loop so its shimmer voice doesn't muddy it

Comes earlier in the signal chain