Amps that pair well with the Boss DD-500 Digital Delay

PRS MT100's own mid-forward character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Keep Synergy SL2 Module's high gain voice out front: Boss DD-500 Digital Delay goes in Synergy SL2 Module's effects loop so its shimmer voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Put Boss DD-500 Digital Delay in Mesa Boogie Mark IIC+ Reissue 1x12 Combo's effects loop, clear of Mesa Boogie Mark IIC+ Reissue 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Put Boss DD-500 Digital Delay in Egnater Tourmaster Combo 4212's effects loop, clear of Egnater Tourmaster Combo 4212's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Run Boss DD-500 Digital Delay in Revv Dynamis D40 2-Channel 40W Head's effects loop, clear of Revv Dynamis D40 2-Channel 40W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Run Boss DD-500 Digital Delay in Friedman Runt 20's effects loop, clear of Friedman Runt 20's own gain stage

Comes earlier in the signal chain