Pedals that stack with the Boss Katana Bass KTN-110B
← everything about the Boss Katana Bass KTN-110B
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Into Boss Katana Bass KTN-110B, Ashdown Geezer Butler Signature is right at home: it's built around a clean amp's front end
Goes in front of the amp
Boss ODB-3
Boss
14% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
What Boss ODB-3 brings here leans toward harmonically rich — that's worth building a pairing around
Goes in front of the amp
Sola Sound Tone Bender MkII
Sola Sound
13% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
What Sola Sound Tone Bender MkII brings here leans toward germanium — that's worth building a pairing around
Goes in front of the amp
EarthQuaker Devices Night Wire V2
EarthQuaker Devices
8% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
EarthQuaker Devices Night Wire V2's harmonically rich voice goes after Boss Katana Bass KTN-110B in the signal chain — it's not there to compete with Boss Katana Bass KTN-110B's own octave character
Goes in front of the amp
Xotic SP Compressor
Xotic
6% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Xotic SP Compressor leans toward smooth, and that's a real, usable character to pair with
Goes in front of the amp
MXR Analog Delay
MXR
5% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
MXR Analog Delay's warm voice goes in Boss Katana Bass KTN-110B's effects loop — it's not there to compete with Boss Katana Bass KTN-110B's own octave character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Carl Martin DeLayla XL
Carl Martin
5% matchPut Carl Martin DeLayla XL in Boss Katana Bass KTN-110B's effects loop, clear of Boss Katana Bass KTN-110B's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop