Pedals that stack with the Boss Katana Bass KTN-210B
← everything about the Boss Katana Bass KTN-210B
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
22% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Ashdown Geezer Butler Signature leans this high headroom tone toward low gain, which it doesn't make on its own
Goes in front of the amp
Boss ODB-3
Boss
16% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
Run Boss ODB-3 into that high headroom platform and it finally leans toward low gain
Goes in front of the amp
Mesa Boogie Flux-Drive
Mesa Boogie
16% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → crunchy)
Run Mesa Boogie Flux-Drive into that high headroom platform and it finally leans toward crunchy
Goes in front of the amp
MXR Flanger
MXR
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep MXR Flanger after Boss Katana Bass KTN-210B in the signal chain, clear of Boss Katana Bass KTN-210B's own gain stage
Goes in front of the amp
Dan Armstrong Orange Squeezer
pedal
10% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Dan Armstrong Orange Squeezer's own dynamic character is the real reason this is worth trying
Goes in front of the amp
JAM Pedals Delay-Llama
Jam Pedals
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
JAM Pedals Delay-Llama's analog warmth voice goes in Boss Katana Bass KTN-210B's effects loop — it's not there to compete with Boss Katana Bass KTN-210B's own full character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop EP103 Echoplex Delay
Dunlop
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Dunlop EP103 Echoplex Delay in Boss Katana Bass KTN-210B's effects loop, clear of Boss Katana Bass KTN-210B's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop