Amps that pair well with the Boss RV-5 Digital Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Victory Amplifiers V30 The Countess's effects loop, clear of Victory Amplifiers V30 The Countess's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Two-Rock Bloomfield Drive 6L6 100W Head's effects loop, clear of Two-Rock Bloomfield Drive 6L6 100W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Pro Junior IV (Lacquered Tweed)'s edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Fender Pro Junior IV (Lacquered Tweed)'s effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Two-Rock Classic Reverb 100W Head's effects loop, clear of Two-Rock Classic Reverb 100W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Amplified Nation Dirty Wonderland's effects loop, clear of Amplified Nation Dirty Wonderland's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Two-Rock Silver Sterling Signature 150W Head's effects loop, clear of Two-Rock Silver Sterling Signature 150W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Vox Ac30 1960s's edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Vox Ac30 1960s's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Marshall JVM Series JVM205H's effects loop, clear of Marshall JVM Series JVM205H's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Port City Pearl Head's warm voice out front: Boss RV-5 Digital Reverb goes in Port City Pearl Head's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Fender Blues DeVille's effects loop, clear of Fender Blues DeVille's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Marshall JCM800 2203ZW's crunchy voice out front: Boss RV-5 Digital Reverb goes in Marshall JCM800 2203ZW's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Dual Showman (Silverface)'s high headroom voice out front: Boss RV-5 Digital Reverb goes in Fender Dual Showman (Silverface)'s effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Hiwatt Custom 20 SA20C 2x10 Combo's effects loop, clear of Hiwatt Custom 20 SA20C 2x10 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes in Randall Warhead's effects loop — it's not there to compete with Randall Warhead's own pristine character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Sears Silvertone 6x10 100-Watt Combo Amp's edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Sears Silvertone 6x10 100-Watt Combo Amp's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes in Fender '65 Twin Reverb's effects loop — it's not there to compete with Fender '65 Twin Reverb's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Matchless Laurel Canyon 20-Watt 1x12"'s edge of breakup voice out front: Boss RV-5 Digital Reverb goes in Matchless Laurel Canyon 20-Watt 1x12"'s effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes in Roland JC-60's effects loop — it's not there to compete with Roland JC-60's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Standel Super Custom XV's effects loop, clear of Standel Super Custom XV's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Two-Rock Burnside 6L6 28W 1x12 Combo's transparent voice out front: Boss RV-5 Digital Reverb goes in Two-Rock Burnside 6L6 28W 1x12 Combo's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Fender 'Black Panel' Twin Reverb (1963-1967)'s effects loop, clear of Fender 'Black Panel' Twin Reverb (1963-1967)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Park Custom P75 Handwired 75W's tight voice out front: Boss RV-5 Digital Reverb goes in Hiwatt Park Custom P75 Handwired 75W's effects loop so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb in Hiwatt Shop 20 Combo 20W 1x12 Combo Amplifier's effects loop, clear of Hiwatt Shop 20 Combo 20W 1x12 Combo Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb in Hiwatt Custom Studio Stage MkIII 20/40W 2x12 Combo's effects loop, clear of Hiwatt Custom Studio Stage MkIII 20/40W 2x12 Combo's own gain stage

Comes earlier in the signal chain