Pedals that stack with the Boss RV-5 Digital Reverb

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb after Shins Music Shin's Music BOG Wah in the signal chain, where it won't crowd Shins Music Shin's Music BOG Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after MXR CSP204 Custom Comp Deluxe in the signal chain, where it won't crowd MXR CSP204 Custom Comp Deluxe

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after Behringer Octave Divider in the signal chain, where it won't crowd Behringer Octave Divider

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb after Orange Amp Detonator in the signal chain, where it won't crowd Orange Amp Detonator

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb after Ashdown ADMS1 Studio Compressor in the signal chain, where it won't crowd Ashdown ADMS1 Studio Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after Wadsworth Music Engager Boost in the signal chain, clear of Wadsworth Music Engager Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after Joyo Maximum Overdrive in the signal chain, clear of Joyo Maximum Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after Boss RCL-10 in the signal chain — it's not there to compete with Boss RCL-10's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after Keeley Compressor Good Ol'Edition in the signal chain — it's not there to compete with Keeley Compressor Good Ol'Edition's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep ThorpyFX Peacekeeper V2 Low-Gain Overdrive's low gain voice out front: Boss RV-5 Digital Reverb goes after ThorpyFX Peacekeeper V2 Low-Gain Overdrive in the signal chain so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after Chaos Custom Shop Big Blender in the signal chain — it's not there to compete with Chaos Custom Shop Big Blender's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after Citadel Bus Driver Compressor in the signal chain — it's not there to compete with Citadel Bus Driver Compressor's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Voyager Pre-Amp Overdrive 10-Year Anniversary Splatter's transparent voice out front: Boss RV-5 Digital Reverb goes after Walrus Audio Voyager Pre-Amp Overdrive 10-Year Anniversary Splatter in the signal chain so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after JHS 3 Series Chorus in the signal chain, where it won't crowd JHS 3 Series Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb after Mooer Micro Preamp 008 Cali 3 in the signal chain, clear of Mooer Micro Preamp 008 Cali 3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after DSM Humboldt Dumblifier Overdrive Special in the signal chain, clear of DSM Humboldt Dumblifier Overdrive Special's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Boss RV-5 Digital Reverb's spring voice goes after Mesa/Boogie DynaPlex in the signal chain — it's not there to compete with Mesa/Boogie DynaPlex's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after JHS Pedals JHS Whitey Tighty in the signal chain, where it won't crowd JHS Pedals JHS Whitey Tighty

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after Vox Vintage Wah in the signal chain, where it won't crowd Vox Vintage Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after Keeley Seafoam Plus Chorus/Vibrato in the signal chain, where it won't crowd Keeley Seafoam Plus Chorus/Vibrato

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep THE NEXT SOUND CH-01-2 Buffer's transparent voice out front: Boss RV-5 Digital Reverb goes after THE NEXT SOUND CH-01-2 Buffer in the signal chain so its spring voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after PRS Mary-Cries Compressor in the signal chain, where it won't crowd PRS Mary-Cries Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Boss RV-5 Digital Reverb after Mooer Trelicopter in the signal chain, where it won't crowd Mooer Trelicopter

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss RV-5 Digital Reverb after Acoustic Strymon Compadre Dual Voice Compressor in the signal chain, where it won't crowd Acoustic Strymon Compadre Dual Voice Compressor

Comes earlier in the signal chain