Amps that pair well with the Carl Martin Purple Moon

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Carl Martin Purple Moon for more fuzzy on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Run fuzzy into Carl Martin Purple Moon for more modulated on top

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Carl Martin Purple Moon in front and the mid-forward tone leans further toward fuzzy

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put Magnatone 280 in front and the fuzzy tone leans further toward modulated

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Carl Martin Purple Moon layers fuzzy onto an already mid-forward signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Carl Martin Purple Moon stacks fuzzy on top of the mid-forward already here

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Stack Carl Martin Purple Moon on top and a high gain tone tightens toward modulated

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Feed a high gain signal into Carl Martin Purple Moon and it comes out closer to modulated

Comes later in the signal chain