Pedals that stack with the Carr Super Bee Combo

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Carr Super Bee Combo leans into Fender-style amps, precisely the platform Catalinbread Formula 5F6 wants

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Univox Super-Fuzz is voiced for a clean amp's front end — Carr Super Bee Combo gives it exactly that

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Tone City Model B Distortion TC-T31's own voicing points at Fender-style amps, and Carr Super Bee Combo delivers it

Goes in front of the amp

Boss TR-2 Tremolo is voiced for Fender-style amps — Carr Super Bee Combo gives it exactly that

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Carr Super Bee Combo leans into Fender-style amps, precisely the platform Origin Effects SlideRIG Compact Deluxe wants

Goes in front of the amp

Carr Super Bee Combo leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss RV-5 Digital Reverb in Carr Super Bee Combo's effects loop, clear of Carr Super Bee Combo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop