Pedals that stack with the Carr Viceroy Combo 2x12" Black

Carr Viceroy Combo 2x12" Black leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp

Carr Viceroy Combo 2x12" Black leans toward dynamic, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Push the Viceroy's explosive, dynamic crunch with the RAT 2's bright, cutting distortion and the two stack into real dirt.

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

Into Carr Viceroy Combo 2x12" Black, Greer Tomahawk is right at home: it's built around Fender-style amps

Goes in front of the amp

Carr Viceroy Combo 2x12" Black's own dynamic character is the real reason this is worth trying

Goes in front of the amp

Carr Viceroy Combo 2x12" Black's own dynamic character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall Guv'nor brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Run the Dyna Comp ahead of the Viceroy to even out attack and add sustain before the amp's own dynamic breakup kicks in.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Carr Viceroy Combo 2x12" Black in the signal chain, clear of Carr Viceroy Combo 2x12" Black's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Carbon Copy Mini's dark, ambient slapback delay belongs in the Viceroy's loop, clear of the amp's own explosive, dynamic crunch. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Epoch-Set's tape echo in the Viceroy's effects loop so the repeats stay warm instead of picking up the amp's own crunch. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop