Pedals that stack with the Ceriatone C-Wreck

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Both lean toward dynamic and compressed respectively — close enough in character that they complement instead of clashing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Electro-Harmonix Hot Wax stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Cusack Music Tap-A-Fuzz for more fuzzy on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Zvex Fuzz Probe in front and the mid-forward tone leans further toward fuzzy

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Monument CS after Ceriatone C-Wreck in the signal chain, clear of Ceriatone C-Wreck's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone C-Wreck's dynamic voice out front: JAM Pedals Delay-Llama goes in Ceriatone C-Wreck's effects loop so its analog warmth voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone C-Wreck's dynamic voice out front: Line 6 DL4 Delay Modeler goes in Ceriatone C-Wreck's effects loop so its warm voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop