Pedals that stack with the Ceriatone Dizzy 30

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Friedman BE-OD's own voicing points at a clean amp's front end, and Ceriatone Dizzy 30 delivers it

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Greer Soma answers back warm

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Where this leans bright, Greer Mizuki blue answers back warm

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Behringer Chorus Symphony's analog warmth voice goes after Ceriatone Dizzy 30 in the signal chain — it's not there to compete with Ceriatone Dizzy 30's own glassy character

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

BBE OptiComp leans toward dynamic, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Line 6 DL4 Delay Modeler in Ceriatone Dizzy 30's effects loop, clear of Ceriatone Dizzy 30's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Suhr Discovery in Ceriatone Dizzy 30's effects loop, clear of Ceriatone Dizzy 30's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop