Pedals that stack with the Ceriatone HRM 50

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Colorsound Overdriver in front and the mid-forward tone leans further toward fuzzy

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Black Arts Toneworks LSTR Fuzz for more fuzzy on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR ZW90 Wylde Phase after Ceriatone HRM 50 in the signal chain, clear of Ceriatone HRM 50's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

What Caline CP-10 Hot Mushroom Compressor RED Script brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Ceriatone HRM 50's mid-forward voice out front: Keeley Halo goes in Ceriatone HRM 50's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

Run Roland SDE-3000D in Ceriatone HRM 50's effects loop, clear of Ceriatone HRM 50's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop