Cusack Music Project 34

Diezel VH4 4-Channel 100-Watt leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Comes later in the signal chain

Friedman Small Box 50W EL34 Amp Head leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Synergy SL2 Module brings a pull toward high gain that's missing

Comes later in the signal chain

ENGL Special Edition E670 leans this transparent tone toward high gain, which it doesn't make on its own

Comes later in the signal chain

Blackstar HT Club 50 MKII leans this transparent tone toward mid-forward, which it doesn't make on its own

Comes later in the signal chain

Into a transparent tone, Ceriatone 2202H brings a pull toward high gain that's missing

Comes later in the signal chain

Put Blackstar HT Club 50 Head Mk III after Cusack Music Project 34

Into a transparent tone, Soldano SLO brings a pull toward high gain that's missing

Comes later in the signal chain

EarthQuaker Devices '- Speaker Cranker leans this transparent tone toward low gain, which it doesn't make on its own

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Dr. Green The tourniquet leans toward compressed, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Flanger after Cusack Music Project 34 in the signal chain, clear of Cusack Music Project 34's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Eventide Modulated Delay after Cusack Music Project 34 in the signal chain, clear of Cusack Music Project 34's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon blueSky Reverberator after Cusack Music Project 34 in the signal chain, clear of Cusack Music Project 34's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Comes later in the signal chain

Into a transparent tone, Donner Big Mouth Distortion brings a pull toward high gain that's missing

Comes later in the signal chain

Into a transparent tone, Ampeg F17-1 brings a pull toward mid-forward that's missing