Pedals that stack with the Dallas Rangemaster Treble Booster

The Fathom's lush, studio-grade ambient reverb doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal somewhere spacious to swell into. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Feed the Mercury7's lush, shoegaze reverb with the Rangemaster's germanium treble boost and the wash gets a brighter signal to decay into. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Moby Dick's massive, lush ambient reverb doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal somewhere huge to decay into. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Rangemaster's warm germanium treble boost gives the Pitch Card's arcade-voiced pitch platform a brighter signal to divide.

Comes earlier in the signal chain

Stack the Omicron's own built-in drive with the Rangemaster's germanium treble kick before the phase sweep goes to work.

Comes later in the signal chain

The Arpanoid's experimental, ambient pitch arpeggios ride on top of the Rangemaster's treble boost rather than stacking real gain with it.

Comes earlier in the signal chain

The CS5's rich, analog chorus modulation doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal a swirling texture to color.

Comes later in the signal chain

The Rangemaster's germanium treble kick pushes gain in first — keep the Splash's spring reverb after it so the surf-toned shimmer doesn't get gritty. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run the Rangemaster's germanium treble kick before the Spatial Delivery so the envelope filter has real edge to track.

Comes earlier in the signal chain

Keep the LVX's ambient, complex delay after the Rangemaster's treble kick — the boost provides the gain, the delay just repeats it. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Stack the Philosopher King's compressed, stage-ready drive with the Rangemaster's germanium treble boost for a fuller, more layered push.

Comes earlier in the signal chain

The Nemesis' studio-grade digital delay doesn't stack gain with the Rangemaster's treble boost — it just gives the boosted signal a platform to echo through. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The Rangemaster's warm germanium treble boost gives the Splash MKIV's shimmering, surf-voiced reverb a brighter signal to trail off, not real gain to stack. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Dallas Rangemaster Treble Booster brings here leans toward germanium — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Dallas Rangemaster Treble Booster's own germanium character is the real reason this is worth trying

Comes later in the signal chain

Dallas Rangemaster Treble Booster leans toward germanium, and that's a real, usable character to pair with

Comes earlier in the signal chain