The Dallas Tuxedo 1959 is a Dallas boost pedal. Close alternatives include the Dallas Tuxedo Treble Booster and the Dallas Rangemaster Treble Booster. It pairs well with the Dumble Steel String Singer and the Fender Prosonic.
Dallas Tuxedo 1959
Dallas · pedal
The Dallas Tuxedo was a British-made valve-driven boost and treble booster unit from the late 1950s, part of the small wave of early standalone gain devices that predated the fuzz and overdrive pedal boom of the mid-1960s. Units like the Tuxedo were built to push an already-driven amplifier harder or add treble emphasis for lead work, functioning more like an outboard preamp stage than a modern stompbox. Dallas would later become closely associated with the Dallas Arbiter Fuzz Face.
What stands out
“the dallas tuxedo was a british-made valve-driven boost and treble booster unit from the late 1950s”
— from the listing
“• [Use] Historically significant as one of the UK's third commercially produced solid electric guitars; primarily a collector's instrument today”
— from the community notes
“Units like the Tuxedo were built to push an already-driven amplifier harder or add treble emphasis for lead work, functioning more like an outboard preamp stage than a modern stompbox”
— from the listing
“• [Con] Vintage instruments of this age require specialist setup and significant restoration work to be reliably playable”
— from the community notes
“[Pros] ✓ One-piece solid mahogany body delivers a surprisingly resonant tone for a budget-era British instrument from 1959 ✓ Historically significant as one of the UK's first commercially produced solid electric guitars — designed by Dick S…”
— from the reviews
Trade-offs
“early solid-body british electric character”
— from the community notes
“part of the small wave of early standalone gain devices that predated the fuzz and overdrive pedal boom of the mid-1960s”
— from the listing
“slightly thin single-coil tone typical of late-1950s uk construction”
— from the community notes
- british
- treble booster
- stage
- treble
- lead
- electronic
- fuzz face
Genres the Dallas Tuxedo 1959 is commonly used in
- Electronic
- Blues Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Classic Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Rock
cited
Inferred from shared tonal signals, not a stated genre tag. - Doom Metal
cited
Inferred from shared tonal signals, not a stated genre tag.
Amps that pair well with the Dallas Tuxedo 1959
Dumble Steel String Singer
Dumble
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run Dumble Steel String Singer after it and the bright edge settles into something more smooth
Comes later in the signal chain
Fender Prosonic
amplifier
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Fender Prosonic's warm balances out the bright tone
Comes later in the signal chain
Hiwatt Park P18LH 'Little 45' Handwired18W
Hiwatt
tonal matchComes later in the signal chain
Run Hiwatt Park P18LH 'Little 45' Handwired18W after it and the bright edge settles into something more warm
Orange BT1000H Terror Bass 1000-Watt Bass Amp
Orange
tonal matchComes later in the signal chain
Orange BT1000H Terror Bass 1000-Watt Bass Amp leans warm right where the bright tone needs it
Orange Terror Bass
Orange
tonal matchComes later in the signal chain
Orange Terror Bass leans warm right where the bright tone needs it
Orange Little Bass Thing
Orange
tonal matchComes later in the signal chain
Run Orange Little Bass Thing after it and the bright edge settles into something more warm
Gibson GA-50
Gibson
tonal matchComes later in the signal chain
Where this leans bright, Gibson GA-50 answers back warm
Victory Amplifiers V50 The Earl
amplifier
tonal matchComes later in the signal chain
Victory Amplifiers V50 The Earl's warm balances out the bright tone
Pedals that stack with the Dallas Tuxedo 1959
Wampler Nirvana Chorus
Wampler
21% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Wampler Nirvana Chorus after Dallas Tuxedo 1959 in the signal chain, clear of Dallas Tuxedo 1959's own gain stage
Comes later in the signal chain
Ashdown Velvet Compressor
Ashdown
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What Ashdown Velvet Compressor brings here leans toward compressed — that's worth building a pairing around
Comes earlier in the signal chain
Catalinbread SFT
Catalinbread
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Catalinbread SFT's warm balances out the bright tone
Comes later in the signal chain
Caroline Guitar Company Icarus
Caroline Guitar Company
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Caroline Guitar Company Icarus's warm balances out the bright tone
Comes later in the signal chain
Suhr Discovery
Suhr
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Suhr Discovery after Dallas Tuxedo 1959 in the signal chain, clear of Dallas Tuxedo 1959's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Keeley Magnetic Echo
Keeley
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Keeley Magnetic Echo after Dallas Tuxedo 1959 in the signal chain, clear of Dallas Tuxedo 1959's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Dunlop Blue Hippo Optical Tremolo
Dunlop
tonal matchComes later in the signal chain
Run Dunlop Blue Hippo Optical Tremolo after it and the bright edge settles into something more warm
SolidGoldFX Commodore Breaker Overdrive
Solidgoldfx
tonal matchComes later in the signal chain
SolidGoldFX Commodore Breaker Overdrive leans smooth right where the bright tone needs it
Alternativessee all similar tone character →
Dallas Tuxedo Treble Booster
pedal
63% similarityShared character: use, treble, bright
Dallas Rangemaster Treble Booster
Dallas
57% similarityShared character: 1960s, treble, bright
Catalinbread Silver Kiss MK2 2007 Reissue
Catalinbread
57% similarityShared character: treble, lead
Catalinbread Silver Kiss Reissue
Catalinbread
56% similarityShared character: treble, bright, lead
Suhr Brighton Treble Booster
Suhr
56% similarityShared character: treble, bright, lead
ThorpyFX Wopr
ThorpyFX
56% similarityShared character: treble, bright, fuzz
Colorsound Power Boost
Colorsound
54% similarityShared character: 1960s, treble, bright
Death By Audio Thee Treble
Death By Audio
54% similarityShared character: treble, bright, fuzz
Díaz Texas Ranger
Diaz
52% similarityShared character: treble, bright, middle
Colorsound Overdriver
pedal
52% similarityShared character: treble, fuzz
Catalinbread Naga Viper MkII
Catalinbread
52% similarityShared character: treble, fuzz
Vox VTB-1 Treble Booster
Vox
51% similarityShared character: treble, bright
See all alternatives to the Dallas Tuxedo 1959 (cheaper + boutique) →
Questions people ask
What are good alternatives to the Dallas Tuxedo 1959?+
The closest matches in character are the Dallas Tuxedo Treble Booster, the Dallas Rangemaster Treble Booster, the Catalinbread Silver Kiss MK2 2007 Reissue.
What pairs well with the Dallas Tuxedo 1959?+
Strong matches from rig and tone-complementarity evidence: Dumble Steel String Singer, Fender Prosonic, Hiwatt Park P18LH 'Little 45' Handwired18W — Run Dumble Steel String Singer after it and the bright edge settles into something more smooth.
Compare
- vs 1959 Dallas Tuxedo Treble Booster
- vs Catalinbread Gailieo Red Treble Booster
- vs Catalinbread Naga-Viper