Amps that pair well with the Dawner Prince Boonar

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fender Prosonic leans warm right where the bright tone needs it

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The JTM45's clean, warm headroom gives the Boonar's Echorec-style repeats a vintage amp voice to bloom into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Gibson EH-150's effects loop, clear of Gibson EH-150's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dawner Prince Boonar in Gibson GA-50's effects loop, clear of Gibson GA-50's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Dawner Prince Boonar in Blackstar HT-5R Series HT-5R 5W 1x12's effects loop, clear of Blackstar HT-5R Series HT-5R 5W 1x12's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Park P45H's edge of breakup voice out front: Dawner Prince Boonar goes in Park P45H's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gibson GA-18's edge of breakup voice out front: Dawner Prince Boonar goes in Gibson GA-18's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dawner Prince Boonar's modulated voice goes in Mesa Boogie California Tweed 6V6 2:20 Head's effects loop — it's not there to compete with Mesa Boogie California Tweed 6V6 2:20 Head's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chicago Blues Box Bassman Amplifier's warm voice out front: Dawner Prince Boonar goes in Chicago Blues Box Bassman Amplifier's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Dawner Prince Boonar in Peavey Classic 30 II 2-Channel 30W 1x12 Combo's effects loop, clear of Peavey Classic 30 II 2-Channel 30W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Boonar's Echorec-style repeats belong in the LA30BL's loop, clear of the amp's own dynamic, natural breakup.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Hiwatt Park P18LH 'Little 45' Handwired18W's warm voice out front: Dawner Prince Boonar goes in Hiwatt Park P18LH 'Little 45' Handwired18W's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Boonar's Echorec-style repeats belong in the Tone Block's loop, clear of the amp's own valve-voiced gain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Boonar's Echorec-style repeats belong in the JRT's loop, clear of the amp's own boutique tremolo and breakup.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Mojotone Fender Licensed Tweed Bandmaster 3x10 Combo's effects loop, clear of Mojotone Fender Licensed Tweed Bandmaster 3x10 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Hartke LH1000 Bass Head's effects loop, clear of Hartke LH1000 Bass Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Marshall Vintage Modern 2466's effects loop, clear of Marshall Vintage Modern 2466's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Gibson GA-40's full voice out front: Dawner Prince Boonar goes in Gibson GA-40's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Fender '68 Custom Twin Reverb's effects loop, clear of Fender '68 Custom Twin Reverb's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Pearl 50's clean, expressive headroom lets the Boonar's modern delay character come through clearly.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Dawner Prince Boonar in Supro 1614RT Amulet 15W 1x12 Combo's effects loop, clear of Supro 1614RT Amulet 15W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Dawner Prince Boonar's modulated voice goes in Swart Star-Base 1's effects loop — it's not there to compete with Swart Star-Base 1's own lush character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mesa Boogie California Tweed 6V6 4:40 Head's edge of breakup voice out front: Dawner Prince Boonar goes in Mesa Boogie California Tweed 6V6 4:40 Head's effects loop so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Dawner Prince Boonar in Matchless At 40 watts, the Laurel Canyon Reverb's effects loop, clear of Matchless At 40 watts, the Laurel Canyon Reverb's own gain stage

Comes earlier in the signal chain