Pedals that stack with the Diezel Paul 45W Head

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Feed a edge of breakup signal into Boss BD-2 Blues Driver and it comes out closer to clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

MXR Micro Amp takes that edge of breakup character and pushes it toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Stack Z.Vex Super Hard On on top and a edge of breakup tone tightens toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Caroline Guitar Company Parabola State Tremolo after Diezel Paul 45W Head in the signal chain, clear of Diezel Paul 45W Head's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Pigtronix Philosopher's Tone Micro brings here leans toward mid-forward — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-3 Digital Delay in Diezel Paul 45W Head's effects loop, clear of Diezel Paul 45W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Analog Delay in Diezel Paul 45W Head's effects loop, clear of Diezel Paul 45W Head's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop