Pedals that stack with the Divided by 13 FTR 37

The FTR 37's boutique, breakup-ready tremolo gives the Colorsound Tremolo's organic, vintage pulse a live amp voice.

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Feed a edge of breakup signal into ProCo RAT 2 and it comes out closer to low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Ibanez Tube Screamer takes that edge of breakup character and pushes it toward mid-forward

Goes in front of the amp

Divided by 13 FTR 37 leans toward harmonically rich, and that's a real, usable character to pair with

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Marshall Guv'nor pushes a edge of breakup tone toward mid-forward

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Divided by 13 FTR 37 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Divided by 13 FTR 37 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

The 1176's fast FET compression evens dynamics before the FTR 37's own boutique, breakup-ready tremolo.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Earthquaker Devices Pyramids Stereo Flanging Device after Divided by 13 FTR 37 in the signal chain, clear of Divided by 13 FTR 37's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Divided by 13 FTR 37 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Divided by 13 FTR 37 leans this dynamic tone toward compressed, which it doesn't make on its own

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Divided by 13 FTR 37 brings a pull toward compressed that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain. (dynamic → compressed)

Into a dynamic tone, Divided by 13 FTR 37 brings a pull toward compressed that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Carbon Copy Mini in the FTR 37's loop for dark, ambient slapback beyond the amp's own reverb and tremolo. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Catalinbread Epoch-Set in Divided by 13 FTR 37's effects loop, clear of Divided by 13 FTR 37's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

What Divided by 13 FTR 37 brings here leans toward harmonically rich — that's worth building a pairing around

Goes in front of the amp