Pedals that stack with the DV Mark Raw Dawg EG

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

The Raw Dawg EG's raw, reliable clean voice gives the Rangemaster's germanium treble boost an honest front end to push into.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Push the Raw Dawg EG's raw, reliable clean voice with the RAT 2's bright, cutting distortion and it opens up into real dirt.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Univox Super-Fuzz leans bright right where the dark tone needs it

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Origin Effects RevivalDrive Compact's transparent character and DV Mark Raw Dawg EG's transparent voice sit in the same lane rather than fighting each other

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Beetronics Nectar Tone Sweetener's transparent character and DV Mark Raw Dawg EG's transparent voice sit in the same lane rather than fighting each other

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

What DV Mark Raw Dawg EG brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

DV Mark Raw Dawg EG leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Walrus Audio Voyager Floral's transparent character and DV Mark Raw Dawg EG's transparent voice sit in the same lane rather than fighting each other

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

DV Mark Raw Dawg EG's transparent voice suits Carl Martin Boost Kick's own transparent character

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

MXR Dyna Comp leans toward bright, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put MXR Phase 90 after DV Mark Raw Dawg EG in the signal chain, clear of DV Mark Raw Dawg EG's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → slapback)

Keep the Carbon Copy Mini's warm analog echoes in the Raw Dawg's loop, after that amp's own clean, tube-driven crunch, so the repeats stay defined. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss DD-3 Digital Delay in DV Mark Raw Dawg EG's effects loop, clear of DV Mark Raw Dawg EG's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop