Pedals that stack with the EBS Magni 502 115

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Electronic Audio Experiments Surveyor V2.5's bright balances out the warm tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy's bright balances out the warm tone

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

What Way Huge Pork Loin brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Origin Effects Cali76 Compact's own bright character is the real reason this is worth trying

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after EBS Magni 502 115 in the signal chain, clear of EBS Magni 502 115's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Mooer woodverb's warm voice goes in EBS Magni 502 115's effects loop — it's not there to compete with EBS Magni 502 115's own full character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep T-Rex Replica Delay in EBS Magni 502 115's effects loop, clear of EBS Magni 502 115's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop