Pedals that stack with the Electro-Harmonix Canyon

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Canyon's modulated voice goes after Dunlop Way Huge WM31 Supa-Lead Overdrive in the signal chain — it's not there to compete with Dunlop Way Huge WM31 Supa-Lead Overdrive's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Keep Caroline Guitar Company Wave Cannon Zero's crunchy voice out front: Electro-Harmonix Canyon goes after Caroline Guitar Company Wave Cannon Zero in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Electro-Harmonix Canyon's modulated voice goes after JHS Pedals Kilt 10th Anniversary in the signal chain — it's not there to compete with JHS Pedals Kilt 10th Anniversary's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop Cry Baby SW95 Slash Wah's dynamic voice out front: Electro-Harmonix Canyon goes after Dunlop Cry Baby SW95 Slash Wah in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop Cry Baby SW95 Slash Wah's dynamic voice out front: Electro-Harmonix Canyon goes after Dunlop Cry Baby SW95 Slash Wah in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon after Dunlop MXR GT-OD Overdrive in the signal chain, clear of Dunlop MXR GT-OD Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Cry Baby Mini Wah's mid-forward voice out front: Electro-Harmonix Canyon goes after Cry Baby Mini Wah in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Dunlop EC95 Eric Clapton Cry Baby Wah's mid-forward voice out front: Electro-Harmonix Canyon goes after Dunlop EC95 Eric Clapton Cry Baby Wah in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Artec SE-VPH Vintage Phase Shifter's modulated voice out front: Electro-Harmonix Canyon goes after Artec SE-VPH Vintage Phase Shifter in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Pedals JHS Hare Drive's saturated voice out front: Electro-Harmonix Canyon goes after JHS Pedals JHS Hare Drive in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after MXR CSP039 Duke of Tone Overdrive in the signal chain, clear of MXR CSP039 Duke of Tone Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after MXR CSP039 Duke of Tone Overdrive in the signal chain, clear of MXR CSP039 Duke of Tone Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Canyon's modulated voice goes after NuX Masamune in the signal chain — it's not there to compete with NuX Masamune's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Electro-Harmonix Canyon's modulated voice goes after Dunlop Colored Crybaby Tread in the signal chain — it's not there to compete with Dunlop Colored Crybaby Tread's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Canyon after Vertex T Drive in the signal chain, clear of Vertex T Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after Dunlop CB95 Crybaby in the signal chain, where it won't crowd Dunlop CB95 Crybaby

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Canyon after Origin Effects Halcyon Gold Overdrive in the signal chain, clear of Origin Effects Halcyon Gold Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after Fairfield Circuitry The Barbershop OD3 in the signal chain, clear of Fairfield Circuitry The Barbershop OD3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon after Boss PS-6 in the signal chain, where it won't crowd Boss PS-6

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after Dunlop Slash Signature Wah SW95 in the signal chain, where it won't crowd Dunlop Slash Signature Wah SW95

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after MXR CSP037 Raijin Drive in the signal chain, clear of MXR CSP037 Raijin Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Electro-Harmonix Canyon after Tone City Big Rumble in the signal chain, clear of Tone City Big Rumble's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Electro-Harmonix Canyon after Catalinbread Tribute Low Gain Overdrive Vari-O-Boost in the signal chain, clear of Catalinbread Tribute Low Gain Overdrive Vari-O-Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electro-Harmonix Wailer Wah's mid-forward voice out front: Electro-Harmonix Canyon goes after Electro-Harmonix Wailer Wah in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain