Pedals that stack with the Electro-Harmonix Oceans 12

Line 6 ToneCore Tap Tremolo

Run Electro-Harmonix Oceans 12 after Line 6 ToneCore Tap Tremolo in the signal chain, clear of Line 6 ToneCore Tap Tremolo's own gain stage

Matthews Effects Architect

Run the Oceans 12's lush, complex reverb after the Architect's three-stage gain so the wash trails an already-saturated tone.

REVV G4 V2 Distortion

Keep REVV G4 V2 Distortion's dynamic voice out front: Electro-Harmonix Oceans 12 goes after REVV G4 V2 Distortion in the signal chain so its ambient voice doesn't muddy it

Fender Trapper

Electro-Harmonix Oceans 12's ambient voice goes after Fender Trapper in the signal chain — it's not there to compete with Fender Trapper's own high gain character

MXR Van Halen

Keep Electro-Harmonix Oceans 12 after MXR Van Halen in the signal chain, clear of MXR Van Halen's own gain stage

NUX NFB-2 Lacerate FET Boost

Keep Electro-Harmonix Oceans 12 after NUX NFB-2 Lacerate FET Boost in the signal chain, clear of NUX NFB-2 Lacerate FET Boost's own gain stage

Roland Core Distortion

Keep Electro-Harmonix Oceans 12 after Roland Core Distortion in the signal chain, clear of Roland Core Distortion's own gain stage

Dallas Rangemaster Treble Booster

Dallas Rangemaster Treble Booster's own germanium character is the real reason this is worth trying

Beetronics Overhive

What Beetronics Overhive brings here leans toward transparent — that's worth building a pairing around

Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator

Keep Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator after Electro-Harmonix Oceans 12 in the signal chain, clear of Electro-Harmonix Oceans 12's own gain stage

Electro-Harmonix Small Stone

Put Electro-Harmonix Small Stone after Electro-Harmonix Oceans 12 in the signal chain, clear of Electro-Harmonix Oceans 12's own gain stage