Pedals that stack with the Engl 120 E610 MK II

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into MXR Micro Amp and it comes out closer to clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Z.Vex Super Hard On and it comes out closer to clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Beetronics Buzzter Boost Preamp pushes a high gain tone toward clean boost

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Caroline Guitar Company Parabola State Tremolo after Engl 120 E610 MK II in the signal chain, clear of Engl 120 E610 MK II's own gain stage

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keeley Bassist leans toward compressed, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

EarthQuaker Devices Dispatch Master V2's dynamic voice goes in Engl 120 E610 MK II's effects loop — it's not there to compete with Engl 120 E610 MK II's own high gain character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Run Crazy Tube Circuits Mirage Dual Reverb in Engl 120 E610 MK II's effects loop, clear of Engl 120 E610 MK II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop