ENGL E725 Ravager IR

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Greer Tomahawk takes that high gain character and pushes it toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Shin's Music Dumbloid pushes a high gain tone toward tight

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Keeley Red Dirt Overdrive takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put TC Electronic Corona Chorus after ENGL E725 Ravager IR in the signal chain, clear of ENGL E725 Ravager IR's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Triple Flashback Delay in ENGL E725 Ravager IR's effects loop, clear of ENGL E725 Ravager IR's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What DryBell Unit67 Compressor brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Put Cusack Music Reverb SME in ENGL E725 Ravager IR's effects loop, clear of ENGL E725 Ravager IR's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop