Pedals that stack with the Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube
← everything about the Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube
All 70 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
MXR Micro Amp
MXR
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Free The Tone ODL-1A-CS Overdriveland Custom w/Ch Cont
Free The Tone
31% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Into a high headroom tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Walrus Audio EB-10 Black Edition
Walrus Audio
28% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)
Walrus Audio EB-10 Black Edition pushes a high gain tone toward clean boost
Goes in front of the amp
Mooer Triangle
Mooer
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube and it comes out closer to mid-forward
Goes in front of the amp
Beetronics Buzzter Boost Preamp
Beetronics
27% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)
Push the Buzzter's transparent clean boost into the Savage's gain stage and the amp's saturation tightens without losing its natural voice.
Goes in front of the amp
Dunlop MXR M294 Sugar Drive
Dunlop
25% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
MXR M134 Stereo Chorus
MXR
25% matchWhat Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Artec RSV-3 Resovibe
Artec
25% matchEngl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Spaceman Redstone
Spaceman
25% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Spaceman Atlas III
Spaceman
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
MXR DL E MXR M 236
MXR
24% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Into a high headroom tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Electro-Harmonix Mainframe Bit Crusher
Electro-Harmonix
24% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube pushes a crunchy tone toward mid-forward
Goes in front of the amp
Carl Martin Greg Howe Lick Box
Carl Martin
24% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
ToadWorks Barracuda
ToadWorks
24% matchEngl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
JHS Kodiak
JHS Pedals
23% matchEngl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with
Goes in front of the amp
Carl Martin DeLayla XL
Carl Martin
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Caroline Guitar Company Icarus V2
Caroline Guitar Company
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube after it and the warm edge settles into something more bright
Goes in front of the amp
MXR Phase 90
MXR
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run the Phase 90's classic sweep after the Savage 120's rich, gated touring gain and the modulation has real body to color.
Goes in front of the amp
Electronic Audio Experiments Halberd v2
Electronic Audio Experiments
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Into a high headroom tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Spaceman Aurora Analog Flanger Multi Mode Custom
Spaceman
23% matchEngl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Xotic AC Plus
Xotic
23% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Boss DD-2 Digital Delay
Boss
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Digitech DOD 410 Bifet Boost
Digitech
22% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this high headroom tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Cts Crazy Tube Circuits Memphis
Cts
22% matchEngl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
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