Pedals that stack with the Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube
← everything about the Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube
All 70 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Hudson Electronics Sidecar
Hudson Electronics
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Fairfield Circuitry Roger That
Fairfield Circuitry
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Cornerstone Antique V3
Cornerstone
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Wampler Hot Wired V1
Wampler
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
TC Electronic Forcefield Compressor Effetto Compressore A
TC Electronic
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Vox TG1-FL4BT Flat 4 Boost
Vox
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Jackson Audio Prism Boost, Buffer,
Jackson Audio
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Pigtronix OCT2
Pigtronix
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Walrus Audio Defcon 4 Boost
Walrus Audio
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
ThorpyFX Fallout Cloud V2
ThorpyFX
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings a pull toward mid-forward that's missing
Goes in front of the amp
Wampler Decibel
Wampler
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Donner Lax Comp
Donner
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Strymon Dig Dual Digital Delay
Strymon
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss DD-3 Digital Delay
Boss
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep the DD-3 in the Savage 120's effects loop, after its own tight, gated high-gain crunch, so repeats stay clean. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Suhr Discovery
Suhr
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Suhr Discovery in Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's effects loop, clear of Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Greer Black Tiger
Greer
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
Red Witch Seven Sisters Grace Compressor
Red Witch
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with
Goes in front of the amp
Orange King Komp Compressor
Orange
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with
Goes in front of the amp
Keeley GC-2
Keeley
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Providence VLC-1 Velvet Comp
Providence
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube leans toward mid-forward, and that's a real, usable character to pair with
Goes in front of the amp
Foxgear Squeeze Optical Compressor
Foxgear
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
Fender The Bends Compressor
Fender
16% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Engl Savage 120 Mark II E610II 120 Watt 4 Channel Tube brings here leans toward mid-forward — that's worth building a pairing around
Goes in front of the amp
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