Pedals that stack with the Engl Savage 60 Mark II

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → clean boost)

Feed a high gain signal into Colorsound Power Boost and it comes out closer to clean boost

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Run mid-forward into Fjord Fuzz Fjaer Spring Reverb for more fuzzy on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Sola Sound Tone Bender MkII stacks fuzzy on top of the mid-forward already here

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Run TC Electronic Corona Chorus after Engl Savage 60 Mark II in the signal chain, clear of Engl Savage 60 Mark II's own gain stage

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Engl Savage 60 Mark II's high gain voice out front: TC Electronic Triple Flashback Delay goes in Engl Savage 60 Mark II's effects loop so its tight voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Put Meris Mercury7 Reverb in Engl Savage 60 Mark II's effects loop, clear of Engl Savage 60 Mark II's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Keeley Bassist brings here leans toward compressed — that's worth building a pairing around

Goes in front of the amp