Amps that pair well with the Fender Hammertone Reverb

Revv Generator G20 20-Watt 2-Channel Tube Head's own high gain character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in PRS Archon's effects loop — it's not there to compete with PRS Archon's own transparent character

Comes earlier in the signal chain

Soldano SLO 100 100-Watt Tube Guitar Amplifier's own high gain character is the real reason this is worth trying

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Hammertone's lush, shimmering reverb in the Invective's loop, clear of the amp's own tight, gated metal channel.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mesa/Boogie Studio Preamp's high gain voice out front: Fender Hammertone Reverb goes in Mesa/Boogie Studio Preamp's effects loop so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb in Revv Generator G25 25W Tube Amp Head's effects loop, clear of Revv Generator G25 25W Tube Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Soldano SLO 100R's effects loop — it's not there to compete with Soldano SLO 100R's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb in Matchless Chieftain 2X10 Combo Amp's effects loop, clear of Matchless Chieftain 2X10 Combo Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Bassman AB165 Amp's warm voice out front: Fender Hammertone Reverb goes in Fender Bassman AB165 Amp's effects loop so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb in Blackstar St. James 100h,'s effects loop, clear of Blackstar St. James 100h,'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Diezel BIG MAX's effects loop — it's not there to compete with Diezel BIG MAX's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb in Engl E 635 100 Head's effects loop, clear of Engl E 635 100 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb in Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp's effects loop, clear of Fender Pro Junior III 15-Watt 1x10 Guitar Combo Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Friedman Steve Stevens SS-100 V2 Head's high gain voice out front: Fender Hammertone Reverb goes in Friedman Steve Stevens SS-100 V2 Head's effects loop so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Bad Cat Jet Black's effects loop — it's not there to compete with Bad Cat Jet Black's own glassy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb in Egnater Tweaker 88 Head's effects loop, clear of Egnater Tweaker 88 Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Fender Hammertone Reverb in Revv Dynamis D25 Joey Landreth Edition 25W 1x12 Combo's effects loop, clear of Revv Dynamis D25 Joey Landreth Edition 25W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Engl Tube 50 Combo E768's effects loop — it's not there to compete with Engl Tube 50 Combo E768's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Hammertone Reverb in ENGL E633 Fireball 25's effects loop, clear of ENGL E633 Fireball 25's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in Orange Amplifiers OR100 100W Dual Channel Tube Guitar Head's effects loop — it's not there to compete with Orange Amplifiers OR100 100W Dual Channel Tube Guitar Head's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Fender Hammertone Reverb in Victory Amplifiers V30 The Countess's effects loop, clear of Victory Amplifiers V30 The Countess's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fender Hammertone Reverb's lush voice goes in ENGL E651 Artist Edition's effects loop — it's not there to compete with ENGL E651 Artist Edition's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Diezel VH-2 100 Watt Head's transparent voice out front: Fender Hammertone Reverb goes in Diezel VH-2 100 Watt Head's effects loop so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Laney Ironheart IRT30-112 1x12 Combo's transparent voice out front: Fender Hammertone Reverb goes in Laney Ironheart IRT30-112 1x12 Combo's effects loop so its lush voice doesn't muddy it

Comes earlier in the signal chain