Pedals that stack with the Fender Blender

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Fender Blender layers octave onto an already fuzzy signal

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Fender Blender stacks octave on top of the fuzzy already here

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run fuzzy into Fender Blender for more octave on top

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Put Fender Blender in front and the fuzzy tone leans further toward octave

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)

Run fuzzy into Fender Blender for more octave on top

The Dyna Comp's squash evens the signal before it reaches the Blender's dry, psychedelic octave fuzz stage.

Comes earlier in the signal chain

Layer the Phase 90's organic sweep after the Blender's dry octave fuzz for movement on an already-strange signal.

Comes later in the signal chain

Keep the Memory Man after the Blender — the dry, harmonic octave fuzz stays psychedelic and the delay's lush repeats trail behind it. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

The SDE-3000D's iconic digital repeats trail the Blender's dry, harmonic octave fuzz without cluttering its psychedelic edge. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain