Pedals that stack with the Fender Deluxe Reverb
← everything about the Fender Deluxe Reverb
All 149 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Maxon AD-9 Pro Analog Delay
Maxon
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
TC Electronic Mimiq Doubler
TC Electronic
28% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Mimiq Doubler after Fender Deluxe Reverb in the signal chain, clear of Fender Deluxe Reverb's own gain stage
Goes in front of the amp
JHS Fumble
JHS Pedals
28% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
What Fender Deluxe Reverb brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Electro-Harmonix Nano Memory Toy
Electro-Harmonix
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
MXR Analog Chorus
MXR
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Run Fender Deluxe Reverb after it and the dark edge settles into something more bright
Goes in front of the amp
TC Electronic Echobrain Analog Delay Effetto Delay A
TC Electronic
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop Echoplex All-Analog Dry Path Delay
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley Magnetic Echo
Keeley
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Where this leans dark, Fender Deluxe Reverb answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Dunlop EP103 Echoplex Delay
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Walrus Audio 385 Overdrive
Walrus Audio
27% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)
What Fender Deluxe Reverb brings here leans toward bright — that's worth building a pairing around
Goes in front of the amp
Walrus Audio Julia
Walrus Audio
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright
Goes in front of the amp
Mojo Hand FX Nebula Redux
Mojo Hand Fx
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright
Goes in front of the amp
Caroline Guitar Company Somersault LoFi Modulation
Caroline Guitar Company
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Fender Deluxe Reverb answers back bright
Goes in front of the amp
Chandler DDL Delay
Chandler
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Fender Deluxe Reverb answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
T-Rex Junior Roomate
T Rex
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Universal Audio Starlight Echo Station
Universal Audio
26% matchUsed together by 1 artist
fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Fender Deluxe Reverb answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Carl Martin 2Wah
Carl Martin
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Fender Deluxe Reverb's bright balances out the dark tone
Goes in front of the amp
EarthQuaker Devices Space Spiral
EarthQuaker Devices
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Fender Deluxe Reverb answers back bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
EarthQuaker Devices Time Shadows V2
EarthQuaker Devices
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Spaceman Mercury IV Germanium Harmonic Boost
Spaceman
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Fender Deluxe Reverb answers back bright
Goes in front of the amp
Donner White Tape
Donner
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Fender Deluxe Reverb after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley Caverns V2
Keeley
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Fender Deluxe Reverb's bright balances out the dark tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
J. Rockett Immortal Echo
J Rockett
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Strymon Brigadier dBucket Delay
pedal
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Fender Deluxe Reverb's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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