Pedals that stack with the Fender Mustang GTX 100
← everything about the Fender Mustang GTX 100
All 16 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Behringer Octavia Octave Fuzz
Behringer
41% matchFender Mustang GTX 100's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Beetronics Nectar
Beetronics
36% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → fuzzy)
The Mustang GTX's headroom-rich, modeled clean tones give the Nectar's wide-ranging drive a versatile platform to push into.
Goes in front of the amp
JHS 3 Series Harmonic Tremolo
JHS Pedals
34% matchWhat Fender Mustang GTX 100 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
JHS Pedals JHS Tidewater Mini
JHS Pedals
34% matchFender Mustang GTX 100 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
Ibanez Tube Screamer
Ibanez
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)
The Screamer's mid-forward boost pushes into the Mustang GTX's headroom-rich, modeled clean tones for a driven signal.
Goes in front of the amp
ProCo RAT 2
Proco
32% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The RAT's bright, cutting distortion pushes the Mustang GTX's headroom-rich, modeled clean tones into gritty territory.
Goes in front of the amp
Surfy Industries SurfyTrem
Surfy Industries
31% matchFender Mustang GTX 100's own high headroom character is the real reason this is worth trying
Goes in front of the amp
MXR Dyna Comp
MXR
17% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
The Dyna Comp's squash evens pick dynamics before the Mustang GTX's own headroom-rich, modeled clean tones.
Goes in front of the amp
MXR Phase 90
MXR
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Phase 90 after Fender Mustang GTX 100 in the signal chain, clear of Fender Mustang GTX 100's own gain stage
Goes in front of the amp
One Control Bjfe in your hand series Shades
One Control
11% matchWhat Fender Mustang GTX 100 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Binson Echorec Delay
Binson
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Binson Echorec Delay in Fender Mustang GTX 100's effects loop, clear of Fender Mustang GTX 100's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Keeley KE-Octap
Keeley
11% matchFender Mustang GTX 100's own high headroom character is the real reason this is worth trying
Goes in front of the amp
Red Witch Famulus
Red Witch
11% matchFender Mustang GTX 100 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
NuX NSS-6 Solid Studio MKII
Nux
11% matchWhat Fender Mustang GTX 100 brings here leans toward high headroom — that's worth building a pairing around
Goes in front of the amp
Tech 21 CompTortion
Tech 21
11% matchFender Mustang GTX 100 leans toward high headroom, and that's a real, usable character to pair with
Goes in front of the amp
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
10% matchRun the Memory Man in the Mustang GTX's loop for lush, modulated echo beyond the amp's own modeled reverb. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop