Pedals that stack with the Fender Pro

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

Put Colorsound Overdriver in front and the mid-forward tone leans further toward fuzzy

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Tone City Model B Distortion TC-T31 pushes a scooped tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Univox Super-Fuzz on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Origin Effects MAGMA57 Amp Vibrato & Drive after Fender Pro in the signal chain, clear of Fender Pro's own gain stage

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Xotic SP Compressor leans toward smooth, and that's a real, usable character to pair with

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Malekko Electro-Harmonix Memory Toy Analog Delay in Fender Pro's effects loop, clear of Fender Pro's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Strymon BigSky in Fender Pro's effects loop, clear of Fender Pro's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop