Pedals that stack with the Fender Rumble 40 Ivory
← everything about the Fender Rumble 40 Ivory
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Ashdown Geezer Butler Signature
Ashdown
21% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)
Run Ashdown Geezer Butler Signature into that transparent platform and it finally leans toward low gain
Goes in front of the amp
Greer Tomahawk
Greer
20% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)
Greer Tomahawk's own bright character is the real reason this is worth trying
Goes in front of the amp
Tone City Model B Distortion TC-T31
Tone City
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
The transparent tone has headroom to spare — Tone City Model B Distortion TC-T31 leans it toward mid-forward to fill it in
Goes in front of the amp
JHS 3 Series Harmonic Tremolo
JHS Pedals
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep JHS 3 Series Harmonic Tremolo after Fender Rumble 40 Ivory in the signal chain, clear of Fender Rumble 40 Ivory's own gain stage
Goes in front of the amp
Vox Valvenergy Silk Drive
Vox
8% matchshapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.
Vox Valvenergy Silk Drive's own smooth character is the real reason this is worth trying
Goes in front of the amp
Electro-Harmonix Memory Boy Analog Delay
Electro-Harmonix
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Electro-Harmonix Memory Boy Analog Delay in Fender Rumble 40 Ivory's effects loop, clear of Fender Rumble 40 Ivory's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Mr. Black Bloodmoon
Mr Black
6% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fender Rumble 40 Ivory's transparent voice out front: Mr. Black Bloodmoon goes in Fender Rumble 40 Ivory's effects loop so its dark voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop