The 1960s Fender Super Reverb is an amplifier. Close alternatives include the Fender '65 Deluxe Reverb Reissue and the Fender Deluxe Reverb. It pairs well with the Tone City Model B Distortion TC-T31 and the Carl Martin PlexiTone.
1960s Fender Super Reverb
Unknown brand · amplifier
The 1960s Fender Super Reverb is a 45-watt combo featuring two 15-inch speakers and lush spring reverb and tremolo circuits. Its wide, full tone and natural headroom made it a studio standard for surf, rock, and soul music. The larger speaker format produces a warm low end ideal for rhythm guitar work.
- spring reverb
- warm
- blues
- lush
- tremolo
- country
- classic rock
- tube
Good for
- Live
- Studio
- Worship
Genres the 1960s Fender Super Reverb is commonly used in
- Classic Rock
- Rock
- Soul
- Country
- Blues
- Indie
cited
Inferred from shared tonal signals, not a stated genre tag.
Pedals that stack with the 1960s Fender Super Reverb
Tone City Model B Distortion TC-T31
Tone City
25% matchInto a transparent tone, Tone City Model B Distortion TC-T31 brings the high gain it's missing
Carl Martin PlexiTone
Carl Martin
25% matchRun Carl Martin PlexiTone into that transparent platform and it finally gets some high gain
Carl Martin Crunch Drive
Carl Martin
25% matchRun Carl Martin Crunch Drive after it and the bright edge settles into something more warm
BBE Tremor V2
Bbe
20% matchKeep BBE Tremor V2 after 1960s Fender Super Reverb in the signal chain, clear of 1960s Fender Super Reverb's own gain stage
Origin Effects SlideRIG Compact Deluxe
Origin Effects
15% matchOrigin Effects SlideRIG Compact Deluxe's own compressed character is the real reason this is worth trying
Dunlop MXR M299 Carbon Copy Mini
Dunlop
11% match1960s Fender Super Reverb leans into a clean amp's front end, precisely the platform Dunlop MXR M299 Carbon Copy Mini wants — goes in the amp's FX loop (or last, into a clean amp)
Eventide Modulated Delay
Eventide
8% matchKeep 1960s Fender Super Reverb's spring voice out front: Eventide Modulated Delay goes in 1960s Fender Super Reverb's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)
Fender Hammertone Overdrive
Fender
tonal matchFender Hammertone Overdrive's own voicing points at a clean amp's front end, and 1960s Fender Super Reverb delivers it
Alternativessee all similar tone character →
Fender '65 Deluxe Reverb Reissue
Fender
96% similaritysimilar tone character
Fender Deluxe Reverb
Fender
96% similaritysimilar tone character
Magnatone Panoramic 2x10 Stereo
Magnatone
96% similaritysimilar tone character
2002 Fender Hot Rod Deluxe II Combo
amplifier
96% similaritysimilar tone character
Magnatone 460E-SPP
Magnatone
95% similaritysimilar tone character
Cornell Romany 12 Reverb
Cornell
95% similaritysimilar tone character
Swart Super Space Tone 30 Head
Swart
95% similaritysimilar tone character
Headstrong Lil King Reverb
Headstrong
95% similaritysimilar tone character
Magnatone Twilighter 22W 1x12 Combo
Magnatone
95% similaritysimilar tone character
Traynor YGL1
Traynor
95% similaritysimilar tone character
Carr Skylark
Carr
95% similaritysimilar tone character
Magnatone Twilighter Stereo 22W Head
Magnatone
95% similaritysimilar tone character
See all alternatives to the 1960s Fender Super Reverb (cheaper + boutique) →
Questions people ask
What are good alternatives to the 1960s Fender Super Reverb?+
The closest matches in character are the Fender '65 Deluxe Reverb Reissue, the Fender Deluxe Reverb, the Magnatone Panoramic 2x10 Stereo.
What pairs well with the 1960s Fender Super Reverb?+
Strong matches from rig and tone-complementarity evidence: Tone City Model B Distortion TC-T31, Carl Martin PlexiTone, Carl Martin Crunch Drive — Into a transparent tone, Tone City Model B Distortion TC-T31 brings the high gain it's missing.