Pedals that stack with the Free The Tone Ambi Space
← everything about the Free The Tone Ambi Space
All 12 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Beetronics Overhive
Beetronics
23% matchBeetronics Overhive leans toward transparent, and that's a real, usable character to pair with
Comes earlier in the signal chain
Wampler Nirvana Chorus
Wampler
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Wampler Nirvana Chorus's warm voice goes after Free The Tone Ambi Space in the signal chain — it's not there to compete with Free The Tone Ambi Space's own lush character
Comes earlier in the signal chain
MXR Flanger
MXR
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep MXR Flanger after Free The Tone Ambi Space in the signal chain, where it won't crowd Free The Tone Ambi Space
Comes earlier in the signal chain
Boss OD-1 Overdrive
Boss
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, Boss OD-1 Overdrive answers back smooth
Comes earlier in the signal chain
Bogner Burnley V2
Bogner
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Free The Tone Ambi Space's lush voice goes after Bogner Burnley V2 in the signal chain — it's not there to compete with Bogner Burnley V2's own high gain character
Comes earlier in the signal chain
Morley 20/20 Bad Horsie
Morley
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Run Free The Tone Ambi Space after Morley 20/20 Bad Horsie in the signal chain, where it won't crowd Morley 20/20 Bad Horsie
Comes earlier in the signal chain
Source Audio Hot Hand Phaser/Flanger
Source Audio
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Keep Free The Tone Ambi Space after Source Audio Hot Hand Phaser/Flanger in the signal chain, where it won't crowd Source Audio Hot Hand Phaser/Flanger
Comes earlier in the signal chain
Caline CP-31 Hot Spice (Black)
Caline
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Put Free The Tone Ambi Space after Caline CP-31 Hot Spice (Black) in the signal chain, where it won't crowd Caline CP-31 Hot Spice (Black)
Comes earlier in the signal chain
NUX XTC Overdrive
Nux
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Free The Tone Ambi Space's lush voice goes after NUX XTC Overdrive in the signal chain — it's not there to compete with NUX XTC Overdrive's own harmonically rich character
Comes earlier in the signal chain
Tone City Hot Mama Overdrive
Tone City
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Put Free The Tone Ambi Space after Tone City Hot Mama Overdrive in the signal chain, clear of Tone City Hot Mama Overdrive's own gain stage
Comes earlier in the signal chain
Electronic Audio Experiments Citadel JFet Master Lead
Electronic Audio Experiments
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Free The Tone Ambi Space's lush voice goes after Electronic Audio Experiments Citadel JFet Master Lead in the signal chain — it's not there to compete with Electronic Audio Experiments Citadel JFet Master Lead's own warm character
Comes earlier in the signal chain
Revv Amplification G3 V2
Revv
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)
Put Free The Tone Ambi Space after Revv Amplification G3 V2 in the signal chain, clear of Revv Amplification G3 V2's own gain stage
Comes earlier in the signal chain